So, you have a dream, and it’s not going well.  You not only feel like you’re up that special creek without a paddle, there’s a hole in the boat.  And you can’t swim, and you just saw an alligator.  And you’re having chest pain!  What do you do?

Well, if you’re in the little mountain town of Prescott, Arizona, and your dream is to have your own small restaurant, maybe you try Kickstarter.  You’re not being greedy — you just need $15,000.  That’s not that much, is it?  Just a few pledges.  Instead, you got zero pledges.  Then, the city starts giving you grief, zoning you as a church, delaying permits.  You have put everything you have into this dream.  You’ve got the place, the know-how, a great idea, people hired, and you’re just waiting on the city.  You’re paying electricity and water and rent and bringing in no income.  So you sell your car, and some other stuff.  Through stubbornness, desperation, faith in your dream, and no small amount of true grit, you make it happen.  All because you believed in your dream. What do you do next?

You open up, and start making hot dogs from scratch. Curing your own bacon. Making your own mustard — three kinds.  Making your own buns, and incredibly good cookies.  And South Carolina mustard-based, pulled pork barbecue!  Then, in your first days of business, you charge a dollar extra for your cookies, and you don’t take a cent of it — that money goes into a jar for Wounded Warriors, because you’re that kind of person.  Three people, actually.

I am here to tell you that the dream was worth believing in.  And the potato salad not only has fresh dill, it has a lot of their home-cured bacon.  The Chicago dog is so authentic, you can almost hear Harry Caray singing “Take Me Out to the Ballgame.”  God rest his soul.

The restaurant is named “Nastee Dogs,” and it’s at 232 S. Montezuma Street, a block off the downtown square.  The only thing I’d change about this place is the name.  It should be “Damn Fine Hot Dogs.”

Rudyard Kipling wrote a poem for his son called “If.”  This is part of it:  “IF you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise…

Yours is the Earth, and everything that’s in it.”

Godspeed, Nastee Dogs.


This post and all blog content Ⓒ Copyright Janet Farrar Worthington.


If you ever want to strike terror into the heart of your kids, I can recommend two ways:  One is to yell, “Where’s the Midol?” and watch them scatter.  The other is to sing the opening theme song of the old TV show, “Hee Haw.”  The words are simple, but the delivery is everything:   “Hee hee, hee haw haw! Hee hee, hee haw haw! Hee hee, hee haw, haw, haw, haw, haw, haw, haw.”  This has, at least on my kids, an effect similar to what I imagine that of a stun gun to be.  They gape in horror at the donkey-like sounds coming out of their mother’s mouth.

The thing is, as I sing it, I can hear Roy Clark’s banjo and Buck Owens’ guitar kicking in.  That show was a hoot, and if you are of a certain age — and if, like me, you grew up with only four channels and very limited TV options — you may have watched it, too.  When my kids were little, I used to sing, “We’re not ones to go ’round spreadin’ rumors. Really, we’re just not the gossipin’ kind.  Oh you’ll never hear one of us repeatin’ gossip.  So you’d better be sure and listen close the first time.”  There was Grandpa Jones, and Minnie Pearl, and then Archie Campbell, who would sing, “Where, oh where, are you tonight? Why did you leave me here all alone? I searched the world over, and I thought I found true love.  You met another, and (raspberry), you were gone.”  That was a big hit when my kids were babies and I would rock them and sing.  And Junior Samples, at BR-549.  The man was a genius.

I grew up in the South, in Texas and then in Mississippi and Kentucky.  My childhood was punctuated with regional Southern ads that were folksy and sweet — dinosaurs compared to the slick commercials that everybody sees today.  There was a cartoon for Domino’s sugar with a little train chugging along.  “Domino’s sugar, so pure and fine, best sugar on the Sugar Town line… whoo hoo… Sugar Town line.”  There were Dolly Parton and Porter Wagoner, hawking Breeze Detergent with the special enticement of a lovely dish towel in every box.  “But you cain’t buy ’em,” Dolly would say, “You can only get ’em in boxes of Breeze.”

Remember Tennessee Pride?  There used to be a cartoon hillbilly who would sing, “For real country sausage, the best you’ve ever tried, pick up a pound or two of Tennessee Pride…” and at the end, somebody would say, “And they CALL the packages Tennessee Pride!”  I was a pretty good mimic, and I could drive my mother nuts with that one.  Also, in a huge Southern accent, “It’s not fried, Momma, it’s Shake & Bake!”

When I was at college at Vanderbilt in Nashville, Tennessee, there was an extremely local commercial for Emma’s, a florist.  A man would say, “Emma’s, the supuh-lative florist!”

I love local ads, because they show the heart and soul of a town.  In an age when restaurants and grocery stores are largely interchangeable from place to place, it’s so nice to see something not corporate, not fancy, pretty low-budget, made by the people who live nearby.

For that matter, I miss hokey old shows and the respectful nod to our rural heritage like “Hee Haw,” “The Beverly Hillbillies,” “Petticoat Junction,”  “Green Acres,”  and my favorite, “The Andy Griffith Show.”  It’s a shame that I can’t go up to someone much younger than myself (except my kids, whom I’ve indoctrinated) and say, “I’m a-pickin’…” and have the response be, “and I’m a-grinnin’!”


This post and all blog content Ⓒ Copyright Janet Farrar Worthington.